Hey readers – if you are members of patternreview.com, I would love it if you would vote for my wardrobe in the 2018 Mini Wardrobe Contest. Voting is open until October 10th.
Hey readers – if you are members of patternreview.com, I would love it if you would vote for my wardrobe in the 2018 Mini Wardrobe Contest. Voting is open until October 10th.
As I was planning my Fall wardrobe, my Oct./Nov. 2018 issue of Threads Magazine arrived.
I soaked up Becky Fulgoni’s article “Single Layer and Reversible.” There were so many great ideas for making garments from double-faced fabrics (or just fabrics with an equally interesting wrong side). I already knew I had the perfect fabric to make the loose casual jacket in Vogue Patterns’ V9275. The jacket (View A) is intended to be lined, but I thought a reversible version would be even better.
The fabric is a sweater knit with a squishy olive green boucle on the right side. I think the wrong side is just as interesting: a smooth black with olive flecks. It’s lighter than it looks, so it would be for outside on crisp days or wearing indoors.
I did several tests before I started. I needed to find seam, hem and closure treatments that would work with my sweater knit and also look good from both sides. Once I figured out which worked best, I started planning in earnest.
Above: I tested binding and seam techniques using swatches like this.
I have found that sketching projects helps me plan. When I work through details on paper, I find I almost always need to make changes. This time, I had to do double the sketches, because I needed to visualize how it would look from either side. Sure enough, I realized that I had to account for the knit collar and cuffs in my plan.
Above: Puzzling it out
I used most of the pattern pieces for the jacket. But to make it reversible, I omitted the side seam pockets and back shoulder darts.
My version differs from the original in many ways:
The Threads article described a technique for making a pocket accessible from either side. From one side, it is a patch pocket. From the other, it is a slot seam pocket. I love this idea! Here is my slightly different method:
This is my first separating zipper, exposed zipper application, and reversible zipper. I think it’s the first time I have tried putting one in a sweater knit. So I am going to forgive myself for putting it in a little too low. I think it looks nice from the green side, where the zipper tape is hidden. The exposed tape on the black side looks… just ok. I would like to find a nice trim to cover it with, but I don’t have anything on hand right now. The main problem is that by putting it in too low, there is a janky looking gap between where the tape ends and the collar.
The only thing I could think of was to sew buttons at the neckline to hide the tape end. I didn’t have anything that I liked, so I made a couple of cover buttons. I think it looks pretty good.
Above: The exposed zipper tape didn’t line up the first time. Then it didn’t quite reach the top of the jacket. I made a couple of cover buttons to conceal the ends.
Making the large amount of binding was really simple. Since the material was already stretchy and shapable, there was no need to cut bias strips. All I had to do was cut parallel strips across the grain.
Stability was an unexpected factor in planning for reversibility. The sweater knit was fairly loose and floppy, so it had to have something otherwise I’m sure it would begin to grow with use. Interfacing was out, of course. The seams, pockets, and zippers serve that function.
I was pleased that even though there was some loft to the knit, it could be compressed enough to make flat felled seams. The traditional method results in two parallel lines of straight stitches. I did it that way for the shoulder seams, and quickly realized that keeping the green fluff from escaping the seam was going to be a problem. So I used a zigzag stitch for the final step instead of a straight stitch for the remaining seams. The zigzag pinned everything down, kept it controlled, and was much easier to sew.
Above: Some of the jacket’s design features
I think this is my favorite thing in my Fall wardrobe so far. It’s so versatile. And how about those set-in sleeves? 😉
Coming soon: a bra-top camisole. Until then, happy sewing!
I reviewed the pattern here.
Fall wardrobe item number three is hot off the ironing board! For those who are new, I have been making a five piece coordinating mini-wardrobe to enter in patternreview.com‘s 2018 mini wardrobe contest.
My new top is a take off on McCall’s M7356 pattern. View A has short sleeves, no sash, no godets and no hi-low hem. I do like the frillier versions, I just wanted something a little more serious for Fall.
Since I hadn’t made anything with princess seams in a while, I started by making a muslin. I lengthened the waist as usual before cutting anything, but otherwise made no changes. Even though the thin white cotton woven was only for practice, it frayed so easily that I went ahead and overcast all of the edges. Then I basted the whole thing together using my new favorite trick, the double-eye machine needle (if you missed it, I talk about it in my last post here).
I was delighted to find that the only change I needed was to raise the shoulders by 3/8 inch. It’s a good thing I remembered that that also meant changing the sleeves and facings before I cut into the good fabric!
I thought it would be neat to change the center panel to a contrasting pattern. I selected gold stretch velvet, because it coordinated with the floral pattern and I also planned on using it in another wardrobe item. The gold by itself looked terrible. It had way too much shine to go with the flat cotton. I found some black crochet lace in my stash and tested a layered look. Bingo!
I again prepared the panels, facings and sleeves by overcasting the edges. For the layered panel, I pinned the top and bottom together carefully then headed to the serger. Both of the layers stretched like crazy, and not in the same way, either! It was ok, but far from perfect. After some consideration, I forged ahead anyway.
I had recently purchased a cording foot and used that to insert the black piping. What a difference! The neat piping also stabilized and straightened the center panel quite a bit.
I again used the cording foot to insert a invisible zipper in the center back. It’s definitely better than using a plain zipper foot, but I suspect a purpose made invisible zipper foot would be even better.
The only other construction detail that gave me pause was sewing the v-shaped neckline facing. I’m not a big fan of facings. Even when I catch-stitch them perfectly, they have a tendency to flip to the outside. I followed the instructions, but also understitched the whole neckline. I think it will be fine when I am wearing it, but because the front panel is so bulky, the centermost part does not want to lie flat. We’ll just keep that between us, right?
Scroll down to see the finished top. It looks a little more medieval princess costume than I intended, but that’s not necessarily a bad thing. I will add more pictures of me wearing it once it stops raining long enough to take them.
Cording feet are available in various styles. Mine is similar to this one. You can see that one side is higher than the other to allow the foot to contact both the cord and the fabric at the same time. If you are shopping, make sure the foot you purchase is compatible with your machine.
The last two projects for the contest are nearing completion, so I’ll be back soon.
Until then, happy sewing!
Here’s the second item for the Autumn 2018 collection: an easy asymmetrical wrap skirt. If the fabric looks a little familiar, it’s because I have already used it in two other garments:
I bought five yards of it a few years ago from FabricMartFabrics.com and even after this skirt, I still have more than a yard. I don’t think you have seen the last of it yet!
This skirt is one of McCall’s 2018 early fall patterns, M7813. The pattern includes options for different hem profiles, but they all share the same basic design. I was drawn to view D, which has two curved front pieces that come together in a neat jagged line. It’s a very simple pattern. The only closure is a single snap. There are no pockets, lining, or anything tricky. It may not be obvious on first glance, but all views cinch at the natural waist, continuing anther 5 inches or so upward. The part above the waist can be turned down, sort of like a shirt collar.
I like that this skirt can work with or without tights as a transitional piece. I just wore it for the first time and loved the way it looked in the mirror. But…. if you plan on wearing it on a windy day, definitely consider putting in some extra closures. While having your skirt fly up worked for Marilyn Monroe, it’s not really what I’m going for. I’m still deciding how I want to handle mine.
I did another contrast facing with the skirt. This time I chose a scrap of flannel stripe that I salvaged from a jacket that was on its way to jacket heaven. The pattern matched almost too perfectly. It might add a little more bulk than desirable, but it’s really soft and comfortable.
I don’t have too much to say about construction or techniques this time. It was so darned easy! Instead, I’ll just post the supply list and some pretty pictures.
Until next time, happy sewing!
I’m getting started on my Fall wardrobe with a pair of olive green sailor-style wide leg pants. These are View E of the Butterick wardrobe pattern B5859. Essentially, they are high waisted pants with a back zip. If they look a little familiar, it’s because I have made them before. Why re-invent the wheel?
I dreamed up these pants as part of my Fall wardrobe plan, but also as part of a 5-piece wardrobe to enter in patternreview.com‘s 2018 Mini Wardrobe Contest. Even though this is make number 3, I used several new techniques and learned a lot.
After I finished cutting out the pants, I cut the selvedges off the remaining fabric and set them aside. Pre-washing the fabric had brought out their texture as well as a short fluffy fringe. After recently buying some trim by the yard, saving this “trim” seemed like a good way to economize.
Meanwhile, I went through my scrap pile and picked out a piece of pretty floral lawn that coordinated with the green. I think that one of the delights of sewing for yourself is using surprising fabrics for pocket linings, facings, and bindings that only you can see. The floral became the waistband facing fabric.
Serendipitously, I had piled the twill strips piled on top of the facing pieces. They looked so good together that I used the strips to make a sharp binding for the facing’s bottom edge. Here’s a little slideshow of the facing going together.
Do any of you read your sewing machine manuals just for fun? It sounds dull, but if you haven’t cracked yours since your machine was new, it’s worth going back and taking a second look. When my machine was new, I was only interested in learning the basics: threading, straight stitch, zigzag, etc. Now that those skills are second nature, the rest of the manual is much more approachable. All of this is by way of introducing the double eye needle.
My manual has a page devoted to using a double eye needle (not to be confused with a double needle) to make long basting stitches. I don’t know if this trick works universally, or only with some machines, but it is pretty slick. Here’s what you do:
These settings will result in a long straight stitch slightly to the left of center (test the needle position before sewing to learn how this works). Since the blind hem makes its stitches in a 3 to 1 pattern (RIGHT RIGHT RIGHT LEFT), you will get a stitch that is 4 times as long as the selected stitch length.
Once you are done, you can continue to sew normally by just switching to the bottom eye.
Double eye needles are a little tricky to find. I have never seen them in shops and they are even hard to find online. I located a package of 5 size 80 universal double eye needles in just 3 places:
If anyone else has other or better sources, please post a comment!
I really like the look of vintage sailor-style button front pants. I can’t imagine how annoying they must be to actually open and close when you need to (ahem). For my pants, I just copied the look without copying the design. Besides, I was already going off on my own with the green color. The buttons are just sewn on – there are no actual buttonholes. I sewed the buttons on top of the seams created by the front darts.
I wound up using an invisible zipper, just because that is what I had on hand. I don’t think it makes a big difference in this case, but I think a plain zipper would go better with the casual style.
Here’s what I used:
What do you think about the supplies list? Should I keep doing them?
Next time, more Fall fashion.
Until then, happy sewing!
Although I love the jumpsuit, I just couldn’t justify making it when I don’t have any events to bring it to.
Also, I find myself drawn to Rebecca Taylor’s style aesthetic. Her collections provide me with a lot of inspiration, featuring prominently in my Fall 2018 mood board on pinterest.
I was reluctant to cut into the silk I chose for the final version (Thanks, Mom!). So, I looked for some lightweight cottons to make a (hopefully) wearable muslin. I have plenty of sundress-worthy cottons in my stash, but it was tricky to find something that would look good from either side. In the end, I went with a sort of washed denim colored solid for the dress and a fun multicolor stripe for the lining.
I wanted to make sure that the ties fell at my natural waist, so I spent a more time preparing the pattern than usual. I added my normal long waist adjustment all the way around. The back overlay piece was a little perplexing. When I added the extra length, it completely changed the shape of the ties. I improvised a new curve to smooth it out, keeping the start and end points where they were and crossed my fingers.
I cut the pieces according to the directions with one exception. I thought it would be kind of neat to have the inside back piece be the same as the skirt lining.
Once I got to the sewing machine, I was delighted with how quickly it went together. The neckline and armholes are faced, but use bias binding for the facing instead of the more common facing pieces. I have been experimenting with this technique for a while, and actually prefer it in most cases. However, until you are used to it, it can be maddeningly confusing. If you are doing this dress and have never tried the technique, find an online tutorial and practice a bit first. It may save you a lot of seam ripping! The “very narrow hem” that I was wondering about turned out to be really easy. I like the way it turned out and will use it again on projects with lightweight fabrics. I think that some fabrics might do better with a rolled hem, though. I’ll have to test that out for the final version.
One weird thing about the pattern is that instead of using a conventional casing for the waist elastic, you make a completely inner casing using the seam allowances. Essentially you get a casing “tube” that is only attached to the dress on one side, not both. It works out, but probably would fail with any elastic wider than 1/4 inch. It doesn’t seem to matter that the casing is kind of free-floating.
Another technique that was new to me was reinforced stress points. You are supposed to cut small pieces of fabric and sew them to the wrong side of the overlay at each point. I departed from the instructions and chose to fuse my little patches in place rather than sew them. I think they are probably stronger and they don’t show on the front. I used heat-n-bond lite 5/8″ tape for a quick and easy patch.
I haven’t done a lined skirt in a while, but it was the last step and there wasn’t anything unusual about it. That kind of complacency is probably what led to me putting it in inside-out. Sigh. There’s a lesson in there somewhere. I’m leaving it that way. Shhh…
The finished dress fits! The ties wound up in the right place and look good. I do think it will look much better in a silkier fabric. The overlay sleeves made with semi-crisp cotton don’t drape elegantly down the shoulders like the ones on the pattern photo. I also think it would be much better with side pockets. But those are minor quibbles. It meets my test for wearability and I have a usable pattern so I’ll call it a success.
The next one in this series will be my first ever silk dress. Wish me luck!
Until then, happy sewing!
More nuts and bolts…
And a few more pictures from my fashion shoot/dog walk…
Here’s another small crafty project from my recent crafty sewing binge.
I ran across this nifty business card holder pattern while on one of my recent lost afternoons surfing fabric websites. I landed on AmyButlerDesigns.com, home of all things Amy Butler. If you are not familiar with her work, she makes bright, fun graphic designs. You can find them on quilting, home dec and fashion fabric and more. One of the great things about the website is the fairly long catalog of free patterns. Many of the patterns are for quilting, but there are also a few for bags and accessories. I thought it would be fun to try a small project to see what I thought.
This is the Business Card Keeper. Once you “purchase” your free pattern, you are able to download a pdf file containing the instructions and pattern pieces. In this case, the only pattern piece is for the swoopy-edged cover flap. The rest of the pieces are rectangles cut to specified dimensions.
I have to admit, there was more to the little pattern than I expected. It requires the fabric, of course. But it also requires heavy-weight sew-in interfacing and heavy fusible interfacing, both of which I had to hunt around for. The closure is hook-and-loop tape (aka velcro). I’m pretty sure I followed the directions correctly, but apparently I didn’t. Everything turned out a little too small and lot too crooked. I think it’s cute, but in that kind of “Awww, she made that herself” kind of way.
Don’t let that put you off, though. I think my lack of quilting experience really shows on this one. If you can handle precision 1/4 inch seams, you should do fine!
Fabric.com carries a lot of Amy Butler fabrics, but far from all. I bought my “Cotton Blossom” yardage from a vendor on Etsy. I think if I was really excited about a particular collection, I would seek out stores that were quilting-specific. The fabric I used for my wallet was made from a random fat-quarter I bought because it was cute. Sigh.
I have a little more craftiness on the way, then back to fashion sewing.
Until then, happy sewing!
You know when the patterns go on sale and you think “it’s such a bargain – I should get one or two more” (or 3, or 4… you get the idea). For years, I have purchased designer patterns from Vogue only to watch them take up space on my shelf. Granted, I do pull them out and daydream. Patterns from other companies rarely call for high-end fabrics, but these do. For instance, on one pattern the only fabric option for lining is china silk.
I think it’s time to dive in. I have narrowed my selection to two patterns, both very different.
Rebecca Taylor V1395 Dress
From the envelope picture, and even the line drawings, this dress looks pretty simple. It appears to be a pullover dress with a gathered skirt and front tie. The devil is in the details, though. It wasn’t until I took the instructions out and really examined what was involved before I realized the dress’s complexity.
First, the fabric. It recommends (1) Crepe de Chine, (2) Silk Broadcloth, (3) Chambray, or (4) Rayon Blends. I get 1, 2 and 4 – they are all thin, semi-fluid types of fabric. I’m a little stumped about the Chambray option. Isn’t that going to be heavier?
Here are the unexpected bits:
Rebecca Vallance V1591 Jumpsuit
Again, the cover photo and drawings don’t really do justice to the design. I impulse-bought this one because I loved the shape of the top and I had never had a jumpsuit before. But you don’t really see that the whole outfit is two-layer: lace fabric over an underlining. I didn’t realize it was lace from the printed picture, but if you zoom way in on the one on the Vogue website, you can see that it is black lace over a dark blue underlining. It uses a grosgrain ribbon for the straps – they are not fabric. You can just barely see it in the picture, but it has an exposed back zipper as well.
Clearly the jumpsuit is more complicated. Among other things, it features:
This one does call for interfacing. Curiously, it also calls for crepe or poplin “contrast” fabric. I had to break open the envelope to find that this is just for the facings.
The recommended fabrics are lace, linen, and silk jacquard. I think it would look cool in any of those. Can you see making a big splash at a holiday party in a jacquard version?
They are both calling me, but I promised myself I would only do one at a time. It’s possible after that’s over I may decide to never do another!
Next time, my decision and getting started. Anyone up for a sew-along?
Here in the US, the kids are going back to school and cooler weather is around the corner. Oddly, we are breaking heat records here in Rhode Island and anyone with air conditioning is staying inside. Fortunately for me, that’s where the sewing machine is!
I love wearing sundresses, but somehow never got around to making one this year. It’s time.
I chose Vogue 9278 because I wanted the a Burda Style magazine pattern that was used to make a beautiful dress in the Spring Forecast section of the April/May 2018 issue of Threads Magazine. Despite an hour of effort, I could not find the Burda pattern anywhere. Vogue 9278 was one of Threads’ recommended substitutes.
The inspiration dress was described as having been made with a pastel voile. So I looked through my stash for a voile that would work. I found enough yardage of a blue and yellow geometric pattern* in cotton voile. I also had some lightweight woven in bright yellow for the lining. Stash busting!
*the fabric was a bargain find from Fabric Mart a few years ago. It’s an Anna Maria Horner quilting fabric called Diamond Mine. It turns out that Fabric Mart stopped carrying it, but you can still get the matching ribbon. I’m kind of tempted to buy some and make a matching leash for my dog. That’s not going overboard, is it? Fabric Mart does carry lots of other Anna Maria fabrics, including a few voiles – I love their bright color combinations.
You may have noticed that my dress looks absolutely nothing like the Burda dress. Apparently not all voiles are created equal. Mine has a lot more body and is almost opaque. Even so, it makes a pretty cute little slip dress. I’ll probably wear this all of the time. I don’t think I would have worn the pretty floaty one as much, although I would still love to have it. (I made View A.)
The dress was pretty simple to put together. I think Vogue was being fair this time in putting it in the very easy category. As usual, I made things more difficult than they had to be. I became a little obsessed with pattern matching. I needed those diamonds to line up! I also used an invisible zip, just because that was what I had on hand. The pattern doesn’t actually demand it.
Above: Implementing my Obsession
I think if/when I make this one again, I will build in a bra and maybe try a handkerchief hem. If I go with a heavier fabric again, I’ll also add pockets. With the lining taken out, I think it would also make cool under-dress for a mesh or chiffon cover.
Note about pictures:
Most of the time, I use helpers to take pictures of me wearing my finished garments. This round was completely DIY. I got a new toy: a little bluetooth remote control that lets me take pictures from my phone without having to hold it ($8.49 from Amazon). I still prefer help, but I’m excited to try taking pictures a little more often. You will probably notice that I am holding it along with the dog leash in the next photo group. Sadly, the remote won’t tell you if you have hair in your face or a wrinkle in your dress. Ahem. I’m still learning, so most of the pictures are a little low-resolution. Stay with me – I plan on improving!
My dog is much more interested in fresh mulch than fashion.
More sewing coming soon!
Hello readers! It’s been a while, but I haven’t been completely idle. I took a short break from sewing clothes to work on a few craft projects. It was refreshing to work on something different for a while (square corners! simple shapes! colors I would never wear!). It cleared my mind and enabled me to take a new approach to seasonal sewing: a plan. There will be many garments made from scratch, but there will also be upcycling and wardrobe edits.
Here’s a little teaser for upcoming clothing sewing:
I’ve also started to use Pinterest boards to collect ideas for upcoming seasons. Check it out here: See Cindy Sew Pins.
If you are new here and want to dig in to what I’ve been making, you can now browse through projects in my new gallery. You can always get back to it by clicking on the Gallery link under the masthead. Cell phone users will find it under the Menu button.
If you are shopping online for your Fall projects, please consider shopping through my links. I have had nothing but good experiences from these vendors.
As I get in gear for the next round of sewing, I’ll be sharing short posts on my recent craft items. There might be a few last minute sundresses in there too. It’s still Summer for another week, after all!
So until next time, happy sewing!
Please share your thoughts and ideas about anything in this post or whatever is on your mind. I would love to hear from you!