Fashion · Needlework

Embroidered Floral Sweater

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Finished!

I think this little project started because I was still working on the hand basting for my coat and wanted to make something easy that I could enjoy finishing.

Is procrasti-make a word?

I had the floral knit in my stash and a tested pattern ready to go.* Finally all of that pattern prep (and shopping) was going to pay dividends!

At the same time, my January 2019 issue of Threads Magazine arrived. I devoured the article Luscious Sweater Knits by knitwear designer Olgalyn Jolly.**

Under “Flat Hems” on page 37, she writes:

If hemming, don’t sew a knit with poor recovery directly to itself; the hem tends to flare out. Instead, apply a fine stretch mesh or lingerie elastic along the hem allowance to ensure good recovery at the hem.

What a great idea at the perfect time! I quickly added her technique to my plan.

* See Giant Stripes Two Ways

** Threads gives online access to their issues through paid subscriptions, so unfortunately, I can’t provide a link.

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Swedish pattern paper pieces on the sweater knit

The pattern is the Hallå Slim Dolman pattern for women. I chose the tunic length, long sleeve option with hems instead of bands. I had to iron my pattern pieces from last time, but other than that, I just had to take them out of the envelope. In this case, there was no need to even pin the pattern to fabric. The swedish tracing paper clung to the sweater knit, which behaved well while cutting.

Delighted with how well everything was going, I never noticed that I forgot to cut a collar band. By the time I got to it, I didn’t have any material left. We’ll get back to that issue in a minute.

I noticed right away that I would need to keep handling to a minimum, as the edges raveled very easily. Time to put my sweater-knit tricks new and old into practice!

Trick 1: Stabilize shoulder seams

This is a good idea with most knits, but especially where the fabric may not be strong enough to support the weight of the garment. The last time I used (2-way) fusible knit interfacing, I gathered up the scraps and cut them into strips. I fused them in place on all four shoulder edges.

Trick 2: Stretchy stabilized hems

Using the Threads article as a general guide, I put together some really stable and flat hems. I didn’t have lingerie elastic or lightweight mesh on hand, so I cut strips from a piece of power mesh. If you are not familiar with power mesh, you would recognize it as the mesh often used in ready-to-wear bras and shapewear. The only color I had was a hot pink, but since there was pink in the sweater, I figured any show-through would look intentional. I made a little slide show detailing how the hems came together.

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Trick 3: Baste with Wonder Tape

Remember how I forgot to cut a neckband? When I figured out what I did, I looked around for some fabric that would work as a stand-in, but nothing grabbed me. Then I tried it on without the band. The neck opening is very wide, but I kind of liked it. I figured that if I added bra-strap carriers, it would be pretty easy to wear.

I applied wash-away wonder tape to the edge of the neckband for two reasons. First, it served to stabilize the fragile curve and prevent raveling. Second, I could use it as a guide to turn a precise 1/4 in. hem.

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Neatly basted 1/4 in neck opening
Trick 4: Stabilize neckline with strong and decorative embroidered edge

At this point, I could have stitched the neck in place and called it a day. I just thought the top needed a little something extra. Why not use embroidery to highlight it? At the same time, the hand stitching would secure the hem in place.

Using some plain embroidery floss I had on hand, I stitched a simple cross stitch pattern around the entire neck. It’s now a very secure hem, but gives the neck a unique embellishment. My work is not quite as precise as I would like, but that is more than made up for by how happy I am with the color and pattern.

Even with all of the embroidery and extra steps, this was a quick project. I would definitely do another one – just maybe with a neckband next time.

Look familiar? The Super Quick Stash-Buster Scarf was actually made from the scraps left over from cutting this top.

SUPPLIES
Fashion Show

I reviewed the Slim Dolman on patternreview.com. Click here to view.

Happy sewing!

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Fashion

Super Quick Stash-Buster Scarf

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Sweater knit up close.

I had just finished cutting out a cute new top (coming soon) out of a lightweight floral sweater knit. When I was done, I still had a wide length of fabric. It wasn’t enough to use for any garments though.

Regular readers will know that I like to find ways of using every little bit of leftover fabric. Because my scrap was basically a wide rectangle, it was perfect for a scarf.

I smoothed out the piece on my large cutting mat, aligning the grain as best as I could. Like many stretch fabrics, it was somewhat pulled out of shape near the selvedge. I cut that part away. Then I used the gridlines on my cutting mat and a long ruler to cut the largest rectangle I could, resulting in a 50 x 15 inch piece.

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The scarf fully extended

The cutting doesn’t have to be perfect. This project is very forgiving of mistakes.

While still at the cutting table, I folded the rectangle lengthwise, right sides together. This sweater knit stuck to itself very well, so I didn’t bother pinning it. Then I serged the long raw edges together using a 4 thread overlock.

I turned the tube so the right side was facing out, then serged the openings to each other. I had to hand stitch the last little opening, then done!

Instant gratification projects are so fun, don’t you think? Now excuse me while I rummage through all of my sweater scraps.

SUPPLIES

I had fun trying out some styling ideas….

Lots more coming soon!

Until then, happy sewing!

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Fashion · Knitting

Red Garter Stitch Scarf

redgarterscarf_2redgarterscarf_3I made another scarf! This one was a special request. The assignment: use a specific yarn to make a simple, long, lightweight scarf. No embellishments or fancy stitching desired.

I think the finished object fit the brief. With one skein of Cascade Heritage Quatro (400 meters), I went back and forth in garter stitch, slipping one stitch at the beginning of each row. The quatro is a sock weight yarn, so the entire project was done on tiny size 2 needles. It’s a very nice merino/nylon blend yarn made from plies of four different colors twisted together. When knitted together, they make a nice blended effect. Unfotunately, I think I may have bought the last one in existence, because I can’t find any more anywhere. I think you could approximate the effect by holding four different strands of a laceweight yarn together though.

That’s the last bit of knitting for a little while.

More sewing coming soon!

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Scarf as work in progress. You can clearly see the twisted strands in the sock yarn.
Contest · Fashion

Fall Wardrobe: Stretch Velvet Cami

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Inspiration: Velvet Camisole from Rebecca Taylor Winter 2018

Remember when camisoles with built-in shelf bras were popular? It was a great idea, but rarely worked well. The problem was that the bra was usually just an extra layer of stretch jersey with an elastic band around the ribcage. It didn’t provide much support or coverage.

Since I learned how to make supportive linings for athletic wear, I vowed never to make an unlined camisole again. Since the bra does not show, there is no need for fancy embellishments or time consuming finishing techniques. I didn’t time myself, but I think it only added about an extra hour to the project.

I had a piece of stretch velvet ready to go, having already used it in my recent princess seam top. Since it is a metallic, it goes with just about any color. But it looks especially good with the pinstripe I used in the wrap skirt that is also part of my fall mini-wardrobe. I think it increases the dressiness of the outfit while also being very comfortable.

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I used my favorite camisole as a template for my new one.

I really liked the V-Neck shape of my inspiration piece from Rebecca Taylor. I didn’t have any patterns that would work, but I did have a favorite camisole of my own with the same V-Neck profile. So I took a chance and used it as a template for my new top.

Here’s my process:

  1. Lay out velvet in a single layer, smooth side up.
  2. Carefully lay camisole on top.
  3. Using 5/8″ ruler and a disappearing marker, mark a cutting line one seam allowance width away from the camisole directly on the velvet.
  4. Cut on cutting lines – this is the front piece.
  5. Use the front piece as a pattern for the back, changing the upper edge using the camisole as a guide.
  6. Cut back piece.
  7. Use the velvet pieces as pattern for power mesh front and back, making power mesh pieces bra length.
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Testing the fit before sewing straps in place

Using the techniques from Craftsy‘s Sewing Swimsuits: The Supportive One-Piece, I sewed foam cups into the power mesh front. (I explain the process here).

Another somewhat unusual feature is the contrasting straps. I got the idea from Vogue 1591, which uses grosgrain ribbon for shoulder straps. I thought that stretchy straps would be more in keeping with a stretchy top, so I was really happy to find foldover elastic in a grosgrain texture. I like a wider strap, so I left it unfolded.

I had fun positioning the straps into a V in the back. With a built-in bra, the straps can go anywhere. There are no worries about having to cover up the straps from the bra you wear underneath.

And that’s it!

The gold camisole is the final garment in my Fall 2018 Mini-Wardrobe. Voting at patternreview.com is open until October 10. If you like what you see, I would love it if you would give me your vote.

Supplies

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I reviewed this pattern on patternreview.com here.

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Contest · Fashion

Fall Wardrobe: Reversible Green Sweater Coat

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View A from the Vogue Website

As I was planning my Fall wardrobe, my Oct./Nov. 2018 issue of Threads Magazine arrived.

I soaked up Becky Fulgoni’s article “Single Layer and Reversible.” There were so many great ideas for making garments from double-faced fabrics (or just fabrics with an equally interesting wrong side). I already knew I had the perfect fabric to make the loose casual jacket in Vogue Patterns’ V9275.  The jacket (View A) is intended to be lined, but I thought a reversible version would be even better.

The fabric is a sweater knit with a squishy olive green boucle on the right side. I think the wrong side is just as interesting: a smooth black with olive flecks. It’s lighter than it looks, so it would be for outside on crisp days or wearing indoors.

Planning

I did several tests before I started. I needed to find seam, hem and closure treatments that would work with my sweater knit and also look good from both sides. Once I figured out which worked best, I started planning in earnest.

Above: I tested binding and seam techniques using swatches like this.

I have found that sketching projects helps me plan. When I work through details on paper, I find I almost always need to make changes. This time, I had to do double the sketches, because I needed to visualize how it would look from either side. Sure enough, I realized that I had to account for the knit collar and cuffs in my plan.

Above: Puzzling it out

I used most of the pattern pieces for the jacket. But to make it reversible, I omitted the side seam pockets and back shoulder darts.

Editing for Reversibility

look5editMy version differs from the original in many ways:

  • Two sided pocket: patch pocket on green side; slot pocket on black side (details below)
  • Flat-felled seams
  • Instead of hemming, bind the lower edge
  • Use a reversible separating zipper for the opening
  • Trim and bind front opening before zipper application
  • Zipper tape exposed on black side; hidden on green side (see below)
  • Slip-stitch cuffs and collar on black side to give them a finished look
  • Decorative, error-hiding buttons
Two-Sided Pocket

The Threads article described a technique for making a pocket accessible from either side. From one side, it is a patch pocket. From the other, it is a slot seam pocket. I love this idea! Here is my slightly different method:

  1. Make the slot seam. I was using bound raw edges as a design element throughout the garment, so it made sense to use them for the pocket slot as well.
  2. Cut the front pieces along what will be the new seam line. Because I was binding the edges, I did not need to add seam allowances.
  3. Apply binding to slot seam raw edges. To keep the seam from stretching, I set my machine to use the longest straight stitch. I didn’t use a stretch stitch because I wanted the slot seam to be stable. Some machines have an option to reduce presser foot pressure. If you have it, this is why. It really helps with lofty stretch fabrics.
  4. Join the top and bottom of each front piece. I chose to apply strips of grosgrain ribbon to the green side. They will not show, since the slot is only visible from the black side.
  5. Draft a patch pocket piece to have an ample side opening, making sure it is placed where your hands go. Mine covers the entire width of the jacket, ending at the same place as the jacket bottom. Ensure that the pockets completely cover the slot opening.
  6. Cut two patch pockets and two lining pieces. I made my lining from the same quilting cotton I used for my princess seamed top.
  7. Sew the right side of the lining to the green side of the pocket piece for each side. Only the upper edge and pocket opening need to be sewn. Trim, turn, press.
  8. Topstitch pockets to front pieces. Again, only the upper edge and pocket opening need to be sewn.

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Two Sided Zipper

This is my first separating zipper, exposed zipper application, and reversible zipper. I think it’s the first time I have tried putting one in a sweater knit. So I am going to forgive myself for putting it in a little too low. I think it looks nice from the green side, where the zipper tape is hidden. The exposed tape on the black side looks… just ok. I would like to find a nice trim to cover it with, but I don’t have anything on hand right now. The main problem is that by putting it in too low, there is a janky looking gap between where the tape ends and the collar.

The only thing I could think of was to sew buttons at the neckline to hide the tape end. I didn’t have anything that I liked, so I made a couple of cover buttons. I think it looks pretty good.

Above: The exposed zipper tape didn’t line up the first time. Then it didn’t quite reach the top of the jacket. I made a couple of cover buttons to conceal the ends.

Non-bias bias

Making the large amount of binding was really simple. Since the material was already stretchy and shapable, there was no need to cut bias strips. All I had to do was cut parallel strips across the grain.

Stability without interfacing

Stability was an unexpected factor in planning for reversibility. The sweater knit was fairly loose and floppy, so it had to have something otherwise I’m sure it would begin to grow with use. Interfacing was out, of course. The seams, pockets, and zippers serve that function.

I was pleased that even though there was some loft to the knit, it could be compressed enough to make flat felled seams. The traditional method results in two parallel lines of straight stitches. I did it that way for the shoulder seams, and quickly realized that keeping the green fluff from escaping the seam was going to be a problem. So I used a zigzag stitch for the final step instead of a straight stitch for the remaining seams. The zigzag pinned everything down, kept it controlled, and was much easier to sew.

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Above: Some of the jacket’s design features

Supplies

I think this is my favorite thing in my Fall wardrobe so far. It’s so versatile. And how about those set-in sleeves? 😉

Coming soon: a bra-top camisole. Until then, happy sewing!

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Reference

Threads Magazine: Reversible Garment Inspiration

This is my fourth garment in patternreview.com‘s 2018 Mini Wardrobe Contest

I reviewed the pattern here.

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Fashion

Easiest Skirt Ever

Screen Shot 2018-07-29 at 9.25.30 AMI know I can draft a circle skirt pattern. There is even a nifty calculator to help. I used this one from Mood Fabrics to make the Run for the Roses knit skirt. But sometimes it’s just easier to buy an inexpensive pattern and let someone else do the heavy lifting. Butterick’s See&Sew pattern B6578 is just a plain pull-on knit circle skirt in two lengths. This is the longer of the two.

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The cased waistband up close

I’m pretty sure it took longer to prepare and cut the fabric than it did to assemble. I’m kind of bummed that the knit I picked up at a certain chain store did not hold up to machine washing. It faded quite a bit and pilled. So this is a skirt just to wear around the house. It is soft and comfortable but doesn’t really hold up to close inspection.

The directions include a cased elastic waistband. It’s easy to do, but doesn’t look as sharp as other possible waistband finishes. Next time I will try a serger technique where you sew the elastic in place and fold it inside.

The seams are sewn with a four thread overcast, and the hem and casing is done with a two needle coverstitch.

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Inside skirt showing coverstitch hem

I think this is a good basic pattern. It could serve as a base for any knit circle skirt. I can see adding on pockets, embellishments, different finishes and other enhancements.

Did you know that if you buy See & Sew patterns from the Butterick website, that shipping is free? I bought several the last time they had a sale. This one was only a few dollars!

More coming soon – stay tuned!

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I reviewed this pattern on PatternReview.com. Click here to read it.

Fashion

Simplicity 8386 Off the Shoulder Knit Tops

View C

I took a little bit of a risk making these tops. I’ve never had any off-the-shoulder tops before, and wasn’t sure if they would be comfortable to wear all day. Would they stay up? Would they restrict movement? I’ve been seeing off-the-shoulder styles for a couple of years now though. They can’t be that hard to wear, right?

These are my 3rd and 4th tops made from Simplicity 8386. I think that might be a record for me! I even have one more cut out and another planned. They are just so easy to make, so flattering, and with only 2 pattern pieces and so little fabric, they qualify as stash-busters as well.

off_the_shoulder_knit_tops_12I made the floral one first. The fabric is a stretchy cotton/lycra jersey from Jumping June Textiles. It’s a 4-way stretch with 8% lycra so there was no question about it holding its shape. I cut the top exactly to the pattern, and while wearable, it’s a little short for my taste. No regrets, though. It’s still good with layers and high-waisted styles.

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I’m still learning how to do a good coverstitch. This one has teal thread in the needles and beige wooly nylon underneath.

Making the top was very easy. Most of it was sewn with a 3-thread overlock on the serger. There is a casing for elastic around the top. I did the hems with my serger‘s coverstitch function. Once again, I used Dritz Elastic Threaders for pushing the elastic through the casing. I can’t believe how agonizing that process used to be when these cheap little gems were there all along! For the coverstitch, I used plain Maxi-Lock serger thread in the needles and Maxi-Lock stretch thread underneath. So far, this seems to work well. I put it through a machine wash and (low heat) dryer cycle and didn’t notice any shrinkage.

Now that I knew I liked the pattern, I took the time to lengthen the waist. That extra 1.25 inches by itself is enough to make the length much more versatile. That’s a good thing, because I forgot to add to the bottom like I intended.

The striped one is sewn the same way as the first. Because it is made with a less elastic 2-way stretch jersey, it feels much lighter. It was one of those remnant table finds, so I’m not sure what it is made of. The main thing is that the stretch matches the guidelines on the pattern envelope.

This would be a great pattern for a beginner who is ready to learn about knits.

After wearing them a few times, I can say that they do stay up. They don’t restrict movement…  much. If you reach up over your head, you will need to re-adjust. Otherwise, a good cute summer top.

Next time – a little home dec!

Happy Sewing!

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Click here for examples of Simplicity 8386 View A.

I reviewed this pattern on PatternReview.com. Click here to see my review.

Fashion

Simplicity 8386 Tie-Neck Crossover Tops

After tackling a few challenging projects recently, I have really enjoyed doing some fun easy sewing. I probably would not have tried Simplicity 8386, but a friend bought the wrong size and gave me hers. I’m so glad she did! I have made a bunch of tops with it and have even more in the works.

The multi-size pattern contains pieces for three completely different tops. They are all casual warm-weather looks intended for moderate stretch knits. For this post, I’m going to focus on View A.

crossover_top_12crossover_top_13View A is the only top of the three that is not tight to the body. I think that makes it flattering for a wider range of people, so I was surprised that so far it doesn’t have any reviews on patternreview.com (the other 2 have several). The front body is two piece

s that cross in a faux-wrap style. The volume comes from a series of tucks which disappear into the waistband. Hate to hem? No hemming needed. All of the edges are enclosed or finished with binding. The neckband continues to the back and ends in ties. Since

I wear my hair short, I have to admit I have become more partial to garments with interesting back details like this one.

I made this top twice. It’s interesting to see how two different materials behave with the same make. The red top is in a medium weight cotton/lycra jersey with a lot of stretch. The blue and white one is in a lightweight rayon/lycra jersey with less stretch.

Binding

I was wondering how I was going to have enough material to cut bias strips when it hit me – the fabric is already stretchy. I can just use horizontally cut strips instead! It’s entirely possible that the sewing world knows this already, but it’s new to me. Wouldn’t it be nice if the pattern companies factored binding into their yardage recommendations and layouts?

Gaping opening

crossover_top_7Like wrap-style dresses and tops in general, I found that the front tended to reveal a lot more than I intended. I had to make some kind of adjustment to keep it closed, or else wear a camisole underneath. I rejected the cami idea just because these are supposed to be for hot weather. I could tack the overlap in place, but I didn’t want to have to iron around it if the top needed touching up. I settled on sewing a small snap fastener closure instead. I think it works pretty well, and I can leave it unsnapped for washing and ironing.

Note to beginners

This pattern is part of Simplicity’s Easy-To-Sew series. I would agree that it is easy, but View A may be a little overwhelming for a complete beginner. For those new to garment sewing, I would start with View C.

Next time, I go a little crazy with Simplicity 8386 again. Stay tuned!

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I reviewed this pattern on patternreview.com. Click here to read.

Fashion · Fitting

McCall’s M6886: Knit Dress Fitting and Tips

M6886

McCall’s pattern M6886 has a strong following. A recent search on patternreview.com found 203 reviews, with an average rating of 4.9/5 stars! It certainly warranted a closer look. It’s a pattern for a simple shaped knit dress with optional set-in sleeves, 2 length and 3 neckline options.

When my Mom recently came for a visit, we thought it would be a great choice for making her a fun new dress. I’ve never sewn garments for another person, so I was especially interested to see how well the fitting skills I developed for myself would translate.

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Lots of color and texture

The first part is always fun: a trip to the fabric store! We considered lots of options and finally landed on a vibrant textured nylon/lycra knit. It fit the bill as a medium weight moderate stretch knit. As a bonus, it is impossible to wrinkle, making it a great fabric for traveling. Because the print was so prominent, we chose the plainest neckline and the shorter knee-length.

Before cutting into the good fabric, I tissue-fit the pattern. I started with a pattern size based on Mom’s chest (not bust) measurement. This way, the neck and shoulders already fit the way they were supposed to. With a good fit above the bust, figuring out the rest was straightforward. With the tissue pinned to my model down the center line, I taped additional pattern paper around the sides to make the front and back meet. I could see right away that I would need to make darts to fit the bust. I folded the pattern paper to make the dart and taped that in place as well. I marked her actual bust apex, waist, and hip heights. With my model standing still and straight, I drew a line perpendicular to the floor from the underarm to the knee.

momdress_6With the pattern unpinned, I set about creating new front and back pattern pieces. The perpendicular line became the new side seam. I added 5/8 inch seam allowance outside the seam line to make a new cutting line. I made the dart using a cut-and-slide technique, angling the dart to the actual bust point. I then checked to make sure the side seams matched by measuring inside the seam allowance on both sides. Whew! Finally time to cut into the fabric!

I basted the front and back pieces and checked the fit again. The fit was ok, but not great. The bust darts needed to be moved, but the back just looked loose and shapeless. We decided to add some shape with back darts. When I was happy with the new changes, I sewed them in place then transferred them to the pattern pieces.

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Tape-marked dart
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Sew close, but not into the tape

By pure luck, I didn’t need to make any changes to the sleeves. The only departure from the pattern was to add 1 1/2 inches to the short sleeve length.

Once all of the fitting was done, sewing the dress was fairly simple. The only difficulty I had was figuring out how to mark the darts. I tried chalk, transfer paper and marking pens in various colors, but nothing showed up. I didn’t want to do tailor’s tacks mostly because I don’t like doing them, but also because they might create snags. So once again it was blue tape to the rescue!

I carefully positioned blue painter’s tape just outside the darts’ seam lines. I pinned the fabric as I would normally for darts. I then stitched the darts, keeping the needle just “kissing” the tape edge. Bonus: the tape stabilized the fabric while I sewed, so there was no risk of stretching the darts out of shape.

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Machine threaded with textured nylon in the bobbin

This project also marks the first time I have tried sewing with textured nylon thread. Instead of using all-purpose thread in my regular (not serger) machine, I used Maxi-Lock Stretch thread in the bobbin only. It really worked well. I thought the machine might have some difficultly with it, but I had no problems at all. The results were fantastic. All of the seams have nice stretchiness and recovery. I have no worries about any stitches breaking under a little pressure. I’m thinking about getting more in some neutral colors so I can use it in all of my knit sewing.

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Narrow hem on neckline

The edges are all finished with a truly invisible invisible hem (I hope I never have to pick it out!). The neckline is just a 1/4 inch narrow hem.

I managed to make this simple pattern much more complicated, but it fits Mom well (if I do say so myself!). Now I have a go-to pattern for her that can be used for dresses or even tee-shirts.

Happy late Mother’s Day, Mom! You look beautiful!

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Fashion

Vogue V8792 Bias Tee Shirt 3 Ways

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I made Views A and B (Short Length)

I had a lot of fun last week putting together some cute lightweight tee shirts. Vogue V8792 has been on my to-sew list for a while. I initially chose it because I liked the interesting way the stripes were positioned on the top in the cover photo. Did I mention I love stripes? But when I started looking at the details, I was really intrigued by the short sleeve views (A, B, C). The long and the short sleeve shirts are completely different, not just the same shirt with options. The long sleeve versions are fitted and have set-in sleeves. The short sleeve ones are loose fitting and made from only 3 pieces: front, back and neckband. The front and back are cut on the bias and attach together like a puzzle. That sounded like a lot more fun!

My first version used a lightweight gray rib knit with a subtle heathered stripe. I thought the stripe would create an interesting effect where the two bias pieces met. It went together quickly on the serger – cutting it out took about the same amount of time as sewing. I was surprised that I didn’t see the effect I was expecting though. It turns out that I somehow ignored the layout directions and cut the front and back pieces on grain instead of on bias. Oops. The shirt is still nice, still wearable, but a little disappointing.

Since it was so easy to make, I thought I would give it another try and see if I would like it better if I followed the instructions! I made two more, both using a mix of different colors.

The second tee used up a pretty mottled green remnant that was about 1/4 yard long and full width. I paired it with a sheer cream color knit that was a little too transparent to use on the front. I made the neckband a little wider than the pattern called for, but otherwise this one followed the pattern instructions. The difference is subtle when there is no obvious stripe, but I think the shirt may drape a little better than the gray one.

The third tee gave me an opportunity to try a color combination I love: sky blue and white. There isn’t a lot to add about this one, but isn’t it cute?

Summer, here I come!

Happy sewing!

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