Fashion · Needlework · Useful Thing

Sashiko Inspired Mended Jeans

My favorite perfectly worn in jeans got a hole in them. It started small, but every time I washed them, it just got a little bigger and a little bigger again.

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Before: It’s not going to get any smaller….

I knew that I wanted to mend them, but I didn’t want them to look haphazard or shabby. I wanted a result that I could proudly wear just as I would any of my “good” jeans.

Casting around for ideas, I came across the book Mending Matters: Stitch, Patch and Repair Your Favorite Denim & More by Katrina Rodabaugh. In it, she states

When we spend time patching, stitching, darning, or otherwise fixing torn fabrics, we ultimately deepen our understanding of quality, composition, and craftsmanship.

She likes using simple needlework, such as running, straight and whip-stitches in natural fibers to complement the craftsmanship of the original denim garment.

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Pinked edges on my cotton patch will prevent raveling.

At the same time, another book caught my eye, this time about the Japanese quilting technique sashiko. The Ultimate SASHIKO Sourcebook: Patterns, Projects, and Inspirations by Susan Briscoe turned out to be a great general reference and introduction. Many readers will recognize the repeating geometric patterns used in sashiko embroidery, even if unfamiliar with the craft. Since sashiko began centuries ago as a thrifty way to mend all kinds of items made of woven fabric, it seemed like a great fit for mending my old jeans.

I took the patterns as an inspiration and looked at what I had on hand that might work. If I had some denim of a similar weight to my jeans, I could have used that as a patch. Since I didn’t, I looked for a good quality tightly woven fabric that I could attach underneath. Scraps from the quilting cotton I used for my Vintage Style Shirtdress fit the bill and was soft enough that I knew it would not be irritating against the skin.

sashiko_jeans_3I thumbed through the sashiko pattern reference in the Sashiko Sourcebook and chose a simple design that I thought would look nice stitched over about a 3 inch square. I traced the design onto tracing paper using a marker designed for iron-on transfers. (Iron-on transfer pen – black by Sulky.  I have more on tranferring designs in my post on Hand Embroidered Dishtowels.

I considered using fusible tape to temporarily hold the patch in place, but pinned it carefully instead, as Rodabaugh does in her book. On the right side, I chalked a square over the location of the patch. I used the chalk lines to help place my iron-on in place. It turned out to make a nice, solid impression, although a little bit heavier line than I expected.

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Ready to stitch

Sashiko thread is a long staple cotton made especially for the highly visible sashiko stitch. It comes in different weights and colors, and can even be hand dyed. I would love to try it some time, but this time I made do with what I had on hand.

The closest match I could find was a spool of jeans topstitching thread. It’s designed to use with jeans, so the colors coordinated well. To make the stitches stand out a little more, I doubled the thread. I did try to keep the stitches nice and even, but it’s pretty obvious I’m new at this. Even so, I like the way it turned out. I think I put the brakes on the hole’s growth. I think the patch underneath will look interesting if/when it starts to show through.

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The finished mend
Supplies

Aunt Martha’s 8.5 x 12 inch Tracing Paper 50 sheets


Wawak Tex 60 Cotton Wrapped Polyester Jean Topstitching Thread


Sulky Heat Transfer Pen in Black (It also comes in lots of other colors)


The Ultimate SASHIKO Sourcebook: Patterns, Projects, and Inspirations by Susan Briscoe


Mending Matters: Stitch, Patch and Repair Your Favorite Denim & More by Katrina Rodabaugh


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From a distance, the patch is fairly subtle.

Until next time, happy sewing!
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Fashion · Fitting

Getting Started on my Designer Pattern

designer_18Last week I wrote about choosing a designer pattern from Vogue. I was between a beautiful on-trend jumpsuit and a cute pull-on dress with a tie front. The winner is…  the easy one!

Although I love the jumpsuit, I just couldn’t justify making it when I don’t have any events to bring it to.

Also, I find myself drawn to Rebecca Taylor’s style aesthetic. Her collections provide me with a lot of inspiration, featuring prominently in my Fall 2018 mood board on pinterest.

I was reluctant to cut into the silk I chose for the final version (Thanks, Mom!). So, I looked for some lightweight cottons to make a (hopefully) wearable muslin. I have plenty of sundress-worthy cottons in my stash, but it was tricky to find something that would look good from either side. In the end, I went with a sort of washed denim colored solid for the dress and a fun multicolor stripe for the lining.

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Both fabrics frayed like crazy, so I overcast the edges before sewing anything together.

I wanted to make sure that the ties fell at my natural waist, so I spent a more time preparing the pattern than usual. I added my normal long waist adjustment all the way around. The back overlay piece was a little perplexing. When I added the extra length, it completely changed the shape of the ties. I improvised a new curve to smooth it out, keeping the start and end points where they were and crossed my fingers.

I cut the pieces according to the directions with one exception. I thought it would be kind of neat to have the inside back piece be the same as the skirt lining.

Once I got to the sewing machine, I was delighted with how quickly it went together. The neckline and armholes are faced, but use bias binding for the facing instead of the more common facing pieces. I have been experimenting with this technique for a while, and actually prefer it in most cases. However, until you are used to it, it can be maddeningly confusing. If you are doing this dress and have never tried the technique, find an online tutorial and practice a bit first. It may save you a lot of seam ripping! The “very narrow hem” that I was wondering about turned out to be really easy. I like the way it turned out and will use it again on projects with lightweight fabrics. I think that some fabrics might do better with a rolled hem, though. I’ll have to test that out for the final version.

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Very narrow hem (top) and bias-faced armholes

One weird thing about the pattern is that instead of using a conventional casing for the waist elastic, you make a completely inner casing using the seam allowances. Essentially you get a casing “tube” that is only attached to the dress on one side, not both.  It works out, but probably would fail with any elastic wider than 1/4 inch. It doesn’t seem to matter that the casing is kind of free-floating.

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Inside front view shows seam allowance casing

Another technique that was new to me was reinforced stress points. You are supposed to cut small pieces of fabric and sew them to the wrong side of the overlay at each point. I departed from the instructions and chose to fuse my  little patches in place rather than sew them. I think they are probably stronger and they don’t show on the front. I used heat-n-bond lite 5/8″ tape for a quick and easy patch.

I haven’t done a lined skirt in a while, but it was the last step and there wasn’t anything unusual about it. That kind of complacency is probably what led to me putting it in inside-out. Sigh. There’s a lesson in there somewhere. I’m leaving it that way. Shhh…

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Perfect! If you don’t look too close….

The finished dress fits! The ties wound up in the right place and look good. I do think it will look much better in a silkier fabric. The overlay sleeves made with semi-crisp cotton don’t drape elegantly down the shoulders like the ones on the pattern photo. I also think it would be much better with side pockets. But those are minor quibbles. It meets my test for wearability and I have a usable pattern so I’ll call it a success.

The next one in this series will be my first ever silk dress. Wish me luck!

Until then, happy sewing!

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More nuts and bolts…

And a few more pictures from my fashion shoot/dog walk…

Hey – check out my review of Vogue 1395 on patternreview.com here.