Fashion · Needlework · Useful Thing

Sashiko Inspired Mended Jeans

My favorite perfectly worn in jeans got a hole in them. It started small, but every time I washed them, it just got a little bigger and a little bigger again.

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Before: It’s not going to get any smaller….

I knew that I wanted to mend them, but I didn’t want them to look haphazard or shabby. I wanted a result that I could proudly wear just as I would any of my “good” jeans.

Casting around for ideas, I came across the book Mending Matters: Stitch, Patch and Repair Your Favorite Denim & More by Katrina Rodabaugh. In it, she states

When we spend time patching, stitching, darning, or otherwise fixing torn fabrics, we ultimately deepen our understanding of quality, composition, and craftsmanship.

She likes using simple needlework, such as running, straight and whip-stitches in natural fibers to complement the craftsmanship of the original denim garment.

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Pinked edges on my cotton patch will prevent raveling.

At the same time, another book caught my eye, this time about the Japanese quilting technique sashiko. The Ultimate SASHIKO Sourcebook: Patterns, Projects, and Inspirations by Susan Briscoe turned out to be a great general reference and introduction. Many readers will recognize the repeating geometric patterns used in sashiko embroidery, even if unfamiliar with the craft. Since sashiko began centuries ago as a thrifty way to mend all kinds of items made of woven fabric, it seemed like a great fit for mending my old jeans.

I took the patterns as an inspiration and looked at what I had on hand that might work. If I had some denim of a similar weight to my jeans, I could have used that as a patch. Since I didn’t, I looked for a good quality tightly woven fabric that I could attach underneath. Scraps from the quilting cotton I used for my Vintage Style Shirtdress fit the bill and was soft enough that I knew it would not be irritating against the skin.

sashiko_jeans_3I thumbed through the sashiko pattern reference in the Sashiko Sourcebook and chose a simple design that I thought would look nice stitched over about a 3 inch square. I traced the design onto tracing paper using a marker designed for iron-on transfers. (Iron-on transfer pen – black by Sulky.  I have more on tranferring designs in my post on Hand Embroidered Dishtowels.

I considered using fusible tape to temporarily hold the patch in place, but pinned it carefully instead, as Rodabaugh does in her book. On the right side, I chalked a square over the location of the patch. I used the chalk lines to help place my iron-on in place. It turned out to make a nice, solid impression, although a little bit heavier line than I expected.

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Ready to stitch

Sashiko thread is a long staple cotton made especially for the highly visible sashiko stitch. It comes in different weights and colors, and can even be hand dyed. I would love to try it some time, but this time I made do with what I had on hand.

The closest match I could find was a spool of jeans topstitching thread. It’s designed to use with jeans, so the colors coordinated well. To make the stitches stand out a little more, I doubled the thread. I did try to keep the stitches nice and even, but it’s pretty obvious I’m new at this. Even so, I like the way it turned out. I think I put the brakes on the hole’s growth. I think the patch underneath will look interesting if/when it starts to show through.

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The finished mend
Supplies

Aunt Martha’s 8.5 x 12 inch Tracing Paper 50 sheets


Wawak Tex 60 Cotton Wrapped Polyester Jean Topstitching Thread


Sulky Heat Transfer Pen in Black (It also comes in lots of other colors)


The Ultimate SASHIKO Sourcebook: Patterns, Projects, and Inspirations by Susan Briscoe


Mending Matters: Stitch, Patch and Repair Your Favorite Denim & More by Katrina Rodabaugh


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From a distance, the patch is fairly subtle.

Until next time, happy sewing!
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Fashion

Itch to Stitch Angelia Shorts – Part 2

angelia_shorts_215I can’t believe it has been 2 months since I made a test version of the Angelia shorts. I shouldn’t have waited so long – I can already tell these are going to be the shorts I want to throw on every hot day!

Fabric

The tan synthetic stretch twill has been kicking around my fabric stash for at least 10 years. I remember getting it from a bargain table and thinking it would be perfect for a pair of pants. Well, when I actually looked at using it with a pants pattern, it was obvious that there wasn’t enough. Rather than admit I had made a poor impulse buy, I set it aside for shorts. While I think it will be great to wear, it was not fun to sew. It required a lower temperature iron, which made it really hard to shape. Oh, and it frays like crazy! Another sewing lesson learned…

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These are the back pockets in the middle of construction. I managed fraying by overcasting all the edges. You can see how the pressed edges don’t hold a crease.
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This is the coin pocket. Here I have pinned it to the ironing board slightly damp to help keep the creases from rolling out.

Pattern Notes

There is a lot to this pattern, but no one single step is especially difficult. If you make it, you should be comfortable with topstitching, sewing curved seams (contour waistband) and making buttonholes. I struggled with making the waistband. I ended up having to cut it 3 times because first I fused interfacing to the wrong side, then somehow switched the left and right sides so the button tab was on the wrong side of the fly. The instructions were great. I should have followed them the first time!

I would say that making the 5 pockets and belt loops probably doubled the amount of construction time. It’s worth it though. The pockets are what make the shorts look professional. Plus, they are big enough to be useful.

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Closeup view of that pesky waistband, center back. TIP: Baste seams open to hold them in place. Open seams reduce extra bulk in heavier fabrics.

Like a lot of independent pattern company patterns, the Angelia shorts use a 3/8 in. seam allowance. I really like that there is less waste, but it makes it that much more important to test the pattern first (also recommended in the instructions). You don’t have any wiggle room if you need to add a little space here or there.

If you make the pockets, there are several places where you have to sew through 4-5 layers of fabric. Not every machine can handle that, especially if you are using a bulkier fabric. If you are in any doubt, test first!

Since the fabric was determined to return to its original flat shape, I knew that keeping it in place while I finished the waistband would be difficult. So, I hand basted it in place first. This was the first time I tried my new Japanese basting thread. I really love it. It’s thicker than all purpose thread and a little fuzzy. It’s just enough texture to help the stitches stay in place while still allowing a smooth hand sewing experience.

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Inside shorts showing hand basting

With the basting in place, I was able to sew a very neat topstitch to attach both sides of the waistband together. I used an easy trick to keep the seam even.

Here’s how:

Change your machine’s foot to the blind hem foot. Place the fabric under the foot so the vertical blade falls inside the “ditch” of the seam. Change the needle position at least one setting to the left or right – anything but the middle. Leave the machine on a straight stitch – don’t change to blind hemming. Then sew away and enjoy your perfect topstitching!

I only turned the hem once because the fabric was so bulky. I overcast the bottom edges then finished with a blind hem. I’m not ecstatic about the results, but they work. If I get ambitious I might pick it out and redo it with a coverstitch or topstitched hem.

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Lovely perfect topstitching using the blind hem foot

In the end, I think these turned out really well. I think I need to do something easy next though!

Until then,

Happy sewing!

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Read my review of these shorts on patternreview.com here

Fashion · Fitting · General

Quick Jeans Edit – Topstitch Hem

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So professional looking!

I’ve hemmed jeans on the blog before, I know. This time though, I’m taking it up a notch with some jeans-thread topstitching.

The last time I did some outlet shopping, I found some jeans that almost fit for $16 (yay, me!). The only problem was that they were over 4 inches too long. Fortunately, hemming pants is one of the easiest sewing projects there is. These were straight leg, making it even easier.

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Mark length with pin

I followed my usual hemming process. Here’s a refresher:

  1. Try on the jeans with shoes. Place a pin where you would like them to end.
  2. Measure the distance from the bottom to the pin. Subtract your chosen hem allowance from this number.
  3. Take out the pin. Measure up from the bottom the calculated number of inches and mark. Be careful to mark the same distance all the way around both legs.
  4. Cut at the marked line.
  5. Finish the raw edges with a 3 or 4 thread overlock stitch. (Any color will do – this stitching doesn’t show).
  6. Turn the jeans inside out. Turn up the hems to your hem allowance and press. Turn right side out again.
  7. Test your topstitching on the cut-off scraps. Topstitch the hem in place. Done!
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Measure and mark

To get the factory-made jeans look, the right topstitching is essential. When you think of jeans details, you think of heavy thread in shades of gold, white, and neutrals. I found that there are many options available. You can find thread made specifically for jeans, but any thread in the heavier weight ranges is worth considering. Think about whether you want soft or hard, matte or shiny, heavy or really heavy. Here are some to try:

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Ready to cut

You will need the right size needle for your thread. I used a size 14/90 universal needle for my TEX 60 weight thread. It worked well on the first try, so I didn’t try any other sizes. However, if I were to use a TEX 80 or 100 weight thread, I would go up to a 16/100. Schmetz, Klasse and Singer make a range of needles specifically for jeans which are supposed to be more durable when sewing through multiple layers. You can also get double needles. These are great if you want to be extra sure you stitch parallel lines and come with different spacing. I haven’t tried them yet, but if I get into sewing a lot of denim, I’m sure I will.

I never really thought about it before, but there isn’t any reason that the bobbin and the upper thread have to match. In fact, what seems to work best for jeans is a bobbin thread in a normal weight the same color as the denim.

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Topstitching thread in needle, navy blue all-purpose in bobbin

Fortunately, my machine sews through thick fabrics and “bumps” without a hitch. I have found that with other machines a “hump jumper” can save a lot of frustration when going over seams. You can make your own with some folded tagboard or you can buy them ready-made. A walking foot can also help your machine cope with the thick layers.

Your machine shouldn’t need any tension or other fancy adjustments. You will just want to make sure it is sewing the longest possible straight stitch to start.

Once I had my machine set up, I lined up the bottom edge of the jeans with the edge of my presser foot. This worked well for stitching the first line. The second line was done in much the same way, just using the first line of stitching as my visual edge guide.

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Maintain even stitching by aligning presser foot with jeans edge

Now that I know how easy it is, I am going to topstitch all the time!

Next time, sewing for patternreview.com’s Shirtdress Contest.

Until then…

Happy sewing!

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Align presser foot with first line of stitching for second line
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Completed topstitching
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The navy bobbin thread blends right in. Maybe I should get some navy serger thread too!