Fashion · Travel · Vintage

Resort 2019: Tropical + Retro = Yay

Screen Shot 2019-03-25 at 12.26.09 PMButterick 6354 by Patterns by Gertie is a retro-style set of summer coordinates. I fell in love with it the first time I saw it, but held off making it until I had a vacation planned. This March was finally the time!

I had about four yards of a lightweight tropical print in my stash that seemed perfect. I knew I wouldn’t have enough to make all of the pieces, but I thought with some creative layouts, I might get pretty close.

Due to the fabric requirements, the shorts I made don’t use the Butterick pattern, but the rest of the pieces do. I’ve only made modifications for fit.

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The perfect print

Easy?

belizean_outfit_24Butterick rates this pattern as Easy, which they describe as follows:

There will be more details when the techniques are simple and fewer details when the techniques are more involved. Some fitting knowledge required.

Okaayyyyy…..

So, the garments with easy views have detailed instructions. The more complicated pieces have less. It’s left as an exercise for the customer to figure out which parts Butterick considers simple. When things get a little vague, you are expected to find (or already know) the answers on your own.

I think I did that and hopefully I can pass some of my newfound knowledge on to you.

I would rate the skirt as easy, the jacket as slightly more difficult, and the bustier as most difficult. Although I didn’t make them, I would put the side-zip shorts between the jacket and the bustier.


The Sarong

skirt_2This wrap skirt goes together easily and has some details that make it more flattering than many skirts that are much harder to make. There is a hook and eye that keeps the tucked layer in place* and ties that are shaped to make a pretty knot at the side. The tucks going in to the side tie and two back darts give it shape while keeping bulk at a minimum. It’s a nice feature that gives all kinds of body shapes a curvy look.

Instead of a waistband, the top edge is finished with bias binding. The other edges are simply finished with narrow hems. The pattern called for a purchased package of 1/2 inch binding, but I thought the contrast of a solid color would look wrong. I certainly didn’t see it on the pattern’s cover photo. Making my own was easy enough and didn’t use up too much material. It only requires a piece a little longer than the waist circumference.

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Oops – next time do up that hook and eye!

I have to admit that I accidentally sewed the ties on upside down. It looked nice anyway, so I didn’t change it. Done correctly, it should be even better!

Being an easy view, the skirt had a nice complete set of instructions.

* I forgot to do the hook when I took pictures, so all of them have the inside layer hanging down a little bit.


The Bolero Jacket

bolero_6The bolero might be the most versatile view in the pattern set.

It’s just big enough to cover the shoulders when worn over a slim fitting top. While the sleeves and shoulders would accommodate a variety of shapes with no adjustment, the ribcage/bust area uses darts for a close fit. I didn’t need to make adjustments, but given that I usually reduce fitted garments there, I would say it’s worth checking before sewing.

I didn’t have enough fabric to do the self-lining the pattern called for. I used a simple lightweight unbleached woven instead. I also chose to carefully topstitch the sleeves closed instead of slip-stitching. Using this technique, the jacket can easily be made reversible.

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Testing the fit is important as the jacket fits very close to the body
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I saved a step by using my muslin as the jacket lining.

The Bustier

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Even without the halter strap, careful fitting and boning keep the top smooth and flat against the body

The bustier was the most ambitious project I have undertaken in a while. I was pleased to find out that it was not beyond my ability, although there were many steps.

Preparing the Pattern

I knew from experience that I would need to make a long waist adjustment, so I made that pattern modification before I did anything else. I then started a test of the front and back body pieces. My test bodice revealed a lot of fit issues. I pinned out new bust darts and new side seams and tried again. Success! I transferred all of the changes to the paper pattern using colored pencil to make sure I knew which lines to use. Once that was done, I adjusted and smoothed out the lines indicating boning placement.

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If you use 1/4 inch gingham to test your bodice, you can just count the squares to double check measurements.

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The Zipper

The pattern uses a lapped zipper application with a separating zipper. Separating zippers are easily found in 7 inch lengths, which is what the pattern calls for. But since I made a long waist adjustment, I needed a longer one.  After much searching, I found that they can be custom ordered from Botani Trim.  I paid more for my custom zipper, but I really love it. It has metal teeth on soft twill tape, which really makes it feel authentically retro.

Boning

The pattern calls for 2 1/2 yards of 1/4 inch boning.

I started with a package of Dritz featherlite boning, then halfway in noticed that 2 1/2 yards would require 2 packages so things sat around for a while until I got more. Continuing with my theme of making mistakes from not reading carefully, I accidentally ordered a different boning the second time. The other type turned out to be a 1/4 inch casingless version.

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When complete, the top contains 10 strips of boning. That gave me plenty of time to experiment with the two different types and how to sew them.

The less expensive uncased boning worked fine and will probably be what I use in the future. I used some scrap bias tape to make casings, which was fine for this because the casings were sandwiched in between the lining and the surface fabric. I would choose something softer and stronger if the casing was going to come in direct contact with skin.

By the tenth strip, I had a process.

Carefully mark the wrong side of the lining fabric with the placement lines and the seam lines.

Then, for each boning strip:

  1. Make a small arrow in the seam allowance to show the center of each placement line.
  2. Cut casing strip to go from seam line to seam line
  3. Iron small squares of fusible tape to upper and lower edge of casing (more for longer or curved sections)
  4. Fuse casing in place
  5. Using blind hem foot, sew casings in place close to the edge, leaving top and bottom open.
  6. Cut boning strip to casing length.
  7. Using nail clippers, clip ends into curved shape
  8. Using lighter, slightly melt ends to smooth them (takes a little practice)
  9. Insert the boning into the casing.

I have to say that I am amazed at how effective the boning is at smoothing out all of the top’s little pull lines and wrinkles.

Another unexpected bonus was that I don’t need to wear a bra under this top. The boning is placed directly over the bust points, so it conceals very well.

Putting it all Together

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The Shorts

belizean_outfit_32I did my best to squeeze all four of B6354‘s views into the fabric I had, but there was just not enough for the shorts. So I took the pattern pieces I had from my Itch to Stitch Angelia Shorts and just barely made them fit with the scraps.
Perhaps that should have been a hint, because squeeze and just barely fit is what these shorts are all about! It seems that I took too much comfort in the comfort food over the winter. Oh well. They’ll make great motivation for getting in shape this summer.
I go into detail on how to make them here: Itch to Stitch Angelia Shorts – Part 1 and here: Itch to Stitch Angelia Shorts – Part 2.



belizean_outfit_31Review Links

I reviewed parts of this pattern on patternreview.com:
Bolero Review
Bustier Review
Sarong Review

belizean_outfit_21Materials

Main Fabric
Lining Fabric
Separating Zipper – Custom Length
Separating Zipper – 7 inch
Dritz Featherlite boning
1/2 inch Buttons
Bias Binding
7 in non-separating Zipper
3/4 inch button
Lightweight fusible interfacing
Butterick 6354 Sewing Pattern
Itch to Stitch Angelia Shorts Sewing Pattern

Have you made a bustier before? Corset? I would love to hear from you!

Until next time, happy sewing!
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Contest · Fashion · Vintage

1949 McCall’s Shirtdress Part 2: Making the Dress

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Art from the pattern envelope. I made View B.

See Part 1 here for general impressions on sewing with a vintage pattern.

For Patternreview.com’s Shirtdress contest, I made a vintage shirtwaist with lots of modifications.

I started out with a McCall Pattern Co. pattern 7649 printed in 1949.

The dress features:

  • Open collar
  • Dolman sleeve
  • Button front opening
  • Scoop front pockets
  • Unusual layered skirt back with many tucks and darts
  • Side zip
  • Belt
  • Shoulder pads
  • Darts at waist front and back

I left the basic shape of the dress alone, but knew I would need to shorten it and modify the padded shoulder to make it wearable. Unfortunately, I didn’t notice this contest rule when I chose the pattern:

The opening must be sufficient to take the dress on and off, but does not have to be the entire length of the front.

With that fitted waist, there was no way my dress was going to qualify. My solution: extend the button opening all the way down the front and eliminate the side zipper.

I had my work cut out for me!

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Taking the padded shoulder away affected the fit of the back and the dolman sleeves, but eventually I got it sorted.

First order of business: unpad the shoulder. To get the shape of the bodice right, I made a muslin. I was pleasantly surprised that I didn’t need to change the length, waist, or bust. But those shoulders were awful! While still wearing the muslin, I pinched the bagginess out and pinned a new shoulder seam in place, constantly checking the back and front in the mirror. I ripped out the old shoulder seam and sewed the new one in place. Back to the mirror, I saw that it would need more adjustment. It took three tries, but I finally got it. Once I made a new pattern piece with the changes, I was ready to cut my good fabric.

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Skirt muslin back view: so many tucks and darts!

Speaking of fabric…  I used an Amy Butler design entitled “Cotton Blossom.” I found the cotton woven on sale at Moona Fabrics on Etsy, but I would have paid full price. It’s really good quality material and I love that color combination! Here’s some more Amy Butler on fabric.com.

I didn’t have any problems putting the top half together. The only other change I made was to add fusible interfacing to the facings and inside the collar. Since the original didn’t call for any interfacing at all, I chose Pellon SF101, which is on the lighter side for a collar. I suppose in 1949 they would have used starch to stiffen the collar. I’m grateful for the modern materials that make starch unnecessary. I finished everything but the buttons and buttonholes and set it aside.

Next – the skirt. I didn’t think I would need to make a muslin for the skirt, but when I started looking at how it went together, I was baffled. To get that cute shape in the back, there are 5 darts and 6 tucks! I felt like it would take less time to test it with a muslin than it would ripping out the inevitable mistakes.

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Sure, that makes sense. Practically sews itself!

It wasn’t difficult once I ran through it once, but it was time consuming. There was a lot more time spent marking and ironing than usual.

For the pockets, I tried to eliminate some bulk by using a lightweight woven on the inside (which does not show). The pockets turned out to be roomy and useful. Finally, I can wear a dress and not have to have a separate bag for my phone!

Here’s a little slideshow of the pockets going together.

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I have to admit the next part made me nervous. I carefully cut the skirt front down the middle. I drafted a new pattern piece for the facings behind the opening. I used that to cut out two facing pieces and two more lengths of interfacing. Using the top half as a guide, I mirrored the steps I used to assemble the facings. Finally, it was time to sew the back to the front and the top to the skirt. By some kind of miracle, my math and obsessiveness worked. and everything fit!

I don’t want to do that again, but at least now I know I can.

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As regular readers know, buttonholes are not my favorite thing to do. But I think I have finally turned a corner. Not flawless, but not bad!

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Finally figuring out how to do buttonholes!

The dress also called for a 1″ belt. I’ve never made a belt before. I was pleasantly surprised to find that it was pretty easy. I stiffened the fabric (there was a pattern piece for this) with a one inch strip of Pellon ShirTailor fusible interfacing. Then I fused a strip of heat-n-bond ultra-hold tape right on top of the Pellon. I folded over the seam allowances and just fused them to the back. Finishing was just a matter of sewing on the buckle. It was so easy that I will consider doing belts a lot more!

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I finished it with a simple invisible hem. I’ll definitely be wearing this dress a lot. It looks good on its own, but can also work under a sweater or other layers. I am really happy with the result, but I think I am ready for something quick and easy next time!

Until then,

Happy Sewing!

shirtdress_1_24

Check out all of the shirtdress contest entries here.

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Contest · Fashion · Vintage

1949 McCall’s Shirtdress Part 1: Sewing with a Vintage Pattern

7649
My vintage pattern: McCall 7649 from 1949. I made a variation on View B.

This post is about the shirt-dress style and sewing with vintage patterns in general. Those of you who just want to see how I made it, hang in there. That post is coming soon!

Patternreview.com’s Shirtdress contest inspired me to consider making this classic style.

For the contest:

  • The dress must include a front opening that has button closures.
  • The opening must be sufficient to take the dress on and off, but does not have to be the entire length of the front.
  • The dress must be at least mid-thigh.

I have a few shirtdress patterns from the last few years, but a flea market find printed in 1949 seemed a little more special. I love the attitude of the popped collar. The scoop front pockets are big and useful. The back has some interesting tucks and darts that add volume and interest. In my opinion, only two things hold it back from being a modern design: the length and the wide, padded shoulders. I figured those would be easy enough to edit and dove in.

About Vintage Patterns
markle_collar
Style inspiration: popped collar shirt-dress can be worn today too

Everyone has their own idea about what vintage means. If you were born in 1998, something from 1997 might be considered vintage. Others might start much further back. For me, I think I start with patterns made before body/size measurements became standard for the major pattern companies – around the early 1970’s.

Some things have been the same for a long time.

  • Pattern printed on that same brown tissue paper
  • Seam allowance is 5/8″
  • Pattern markings such as triangles and dots are the same and used for the same purposes.
  • The illustrated envelope and included instructions are very similar.

Other things have changed over the years.

Sizing: no multi-size patterns. The pattern is printed for a single size only. This one is a size 12, which is somewhere between a current McCall’s 6 and 10. The vintage pattern’s bust is comparatively smaller than today with the same the waist and hip.

Pattern Tissue: the triangles for matching pieces together are numbered. Why don’t they do this anymore? I was surprised to find that the pattern tissue had French and Spanish wording as well as English.

shirtdress_1_15
My attempt at a View B pose

Instruction Sheet: the pattern came with a single page of instructions, densely printed front and back. It seems like they did their best to utilize every bit of that space, making the text and illustrations tiny. But it’s all there: general sewing instructions, cutting layouts, and numbered step-by-step assembly instructions.

Some of the terminology has changed, but it’s easy enough to follow. Fabric is referred to as goods, waist refers to the top of the garment, slide fastener means zipper.

Common widths for “goods” were evidently different than they are today. Therefore, I had to figure out yardage estimates and layout on my own.

Conclusion

Because the pattern format has remained so similar over the years, anyone comfortable sewing from a “Big 4” pattern should not have any trouble.

Since the pattern is a single size, you may need to work a little harder to get it to match your measurements. You can’t just draw a line between a 12 waist and 14 hip. The instructions do explain how to make common changes, though.

You will want to think about modern techniques and tools that could help with construction such as fusible interfacing, overlocking, automatic buttonholes, fabric markers, and so on. Fabric options are also different today. Synthetics especially have come a long way since the 1940’s.

Read everything carefully and take notes. My pattern did not mention belt buckle and buttons on the pattern envelope’s materials list, but they are part of the written instructions. I don’t know if these kinds of omissions are common or not, but it never hurts to double check.

Sewing a dress using a vintage pattern was akin to making a cake using a vintage recipe. You might find yourself scratching your head as you go, but it’s a fun way to make a connection with the past. I’ll definitely consider vintage patterns again.

Happy Sewing!

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Fashion · Vintage

Pinstripe Pantsuit Part 3: Button Up!

pinstripe31My fear of buttonholes has been holding me back, but I finally worked through it and finished! I don’t suffer from Koumpounophobia, but I was perversely amused to learn that fear of buttons is a thing. Apparently, Steve Jobs had it. My reluctance had more to do with a long history of messing up sewing projects on the very last step.

I chose simple dark brown buttons and brown all-purpose thread. Before starting, I needed to do a little trial and error. I haven’t used my machine to sew buttonholes in years, and I never did it often enough for it to become automatic. Rather than ruin my work, I set up a trial swatch to match the fabric and interfacing in the garment. Boy, was I glad I did!

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My “Easy to Sew” pattern gave these instructions:

Transfer buttonhole markings to garment.

Make buttonholes at markings.

So….  that helped a lot.

Next step – read my sewing machine‘s manual. The machine’s instructions were also basic, but at least gave me enough to start experimenting.

I made a swatch with the same interfacing, lining and pinstripe fabric that I would be sewing.

After much experimentation, I was finally able to consistently stitch the buttonhole I wanted. I actually had to make a second test swatch because I ran out of room on the first one.

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Here’s a full list of adjustments and additions I used.

  1. Place tear-away stabilizer under the buttonhole area.
  2. Use a walking foot.
  3. Set the stitch width to the maximum (in my case, 5mm).
  4. Run the bobbin thread through the eye of the bobbin case’s hook. This increases the tension on the bobbin thread.
  5. Increase the stitch density by adjusting the machine’s balance.
  6. Increase the presser foot pressure.
  7. Mark the vertical boundary of the buttonholes with two strips of blue tape.
  8. Insert a strip of wash-away stabilizer between the lines of tape. Use wash-away marker on the stabilizer to mark the buttonhole placement. Bonus – the lines are highly visible against the bright white wash-away.
  9. I still had problems with the long side of the buttonhole rectangle staying straight. Solution: set up the seam guide and use more blue tape to give it a “track” to follow.
  10. Make several buttonholes on the test swatch. I did not work with the actual vest until I could get three in a row exactly right.
  11. Open the holes in the test swatch sample and make sure the button fits. I used a very sharp seam ripper to cut the slots.
  12. Apply Fray Check to the buttonhole stitching.
  13. Before cutting the holes open, remove the stabilizer and place pins just inside the holes’ bartacks. The pins prevent over-cutting.

I checked and double checked my markings. Yes, I psyched myself out a little. One more triple check and I was ready to go.

Overkill? Maybe. You could make a case. But it worked!

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Why yes, those stripes do line up! So kind of you to notice.

I decided to hand-sew the buttons rather than machine-sew. The reason is that I wanted to make sure they were not attached too tightly. A too-tight button can pull through the fabric or distort the nice flat plane of the button placket.

I can’t believe it, but it’s really done!

I am so pleased with the finished outfit.

Do you have any tips for making buttonholes? Write a comment below – I would love to hear them.

In case you missed it, here is the rest of the series.

Pinstripe Pantsuit Part 1: the Pants

Pinstripe Pantsuit Part 2: the Vest

I have lots of great things planned for 2018. I can’t wait to share them with you!

Fashion

Pinstripe Pantsuit Part 2: the Vest

I haven’t actually owned a vest since the 1980’s. Looking back, that vest probably was not the best in the world. But I loved it. It was a thin, shiny black brocade with pearl buttons, no lining, and made me feel stylish and cool.

I don’t think I’m trying to relive my youth, but if I could restore some of that good feeling by making a new contemporary version, why not?

Maybe I had that in mind when I bought Simplicity 4079. It seems to have been printed in 2006 and is now out of print. However, vests are a classic wardrobe builder, so there is always something similar on the market.

Some promising looking substitutes:

Vests are also a staple in the steampunk and Victorian costume worlds, so that could be another source. Look for “waistcoats” as well as vests in your search.

All of the versions in my pattern are variations on the same lined, princess-seamed bodice. I went with the most classic. View A has four buttons, a V-neckline and comes to points in front.

The instructions were clearly written, which really helped me get through the relatively complex construction. But why is this pattern labelled “Easy-To-Sew?” I think anything with buttonholes and lining should really go into a different category. If I was a beginner and picked this up, I think I might have given up in frustration!

It would be easy enough to eliminate the false front pockets, but I think they really give the vest the menswear vibe I was going for.

Here’s a little slideshow of the pocket flaps coming together:

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Straps assembled and ready to sew

The pattern instructions did not specify whether the outside back and ties should be cut from the main fabric or the lining. I went with my gut and did the back with lining fabric and the ties in the brown stripe. As I noted before, the poly satin lining was tricky to press and really wanted to fray. I took my time with it, used a walking foot for traction and tried to handle it as little as possible. I used a press cloth and lots of steam when pressing was needed. It worked out fine and in the end, I am happy I chose the lining I did. Once enclosed in the garment, fraying is no longer an issue. I made extra sure by trimming off the excess with pinking shears. The heavier weight should pay dividends in extra durability (and of course, appearance). I went with a gold color buckle to secure the ties. The Dritz vest buckle comes in either a silver or gold tone. It’s fine, but I wish there were more options on the market. So far, the Dritz is the only one I could find.

There is surprisingly little interfacing in the vest. It only calls for one small piece under each placket. I guess the seams provide enough shaping on their own, because it seems to stay sharp even after a lot of handling. I used a fusible lightweight non-woven.

Is it just me, or is the process of turning the lining kind of like magic? The garment goes from a project to a real article of clothing in the blink of an eye. The vest was particularly satisfying in this regard, since the inside looks so different from the outside. I’m pretty sure turning linings is the closest I will ever get to making origami.

Putting it together:

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I wanted to wrap up this post with a finished vest, but unfortunately, I forgot to buy buttons. So, I’m hitting pause while I get the last bits together. I’ll wrap up soon with Pinstripe Pantsuit Part 3: Button Up!.

Click here if you haven’t yet read Pinstripe Pantsuit Part 1: the Pants.

 

Fashion · Vintage

Pinstripe Pantsuit Part 1: the Pants

brown_stripe_pant5
Fabric swatch close-up: Brown Pinstripe Polyester

Last month, I made these awesome high-waist pants. In the process, I made a good copy of the pattern including all of my personal alterations. I have been looking forward to using it again ever since.

With that in mind, I took a look through my fabric stash and drew out this pretty pinstripe polyester. The plain chocolate brown is brightened up by alternating pinstripes of gold and bronze. It seems to have a little spandex as well. I had always intended this fabric to be used for pants, and with fall finally beginning, the timing seemed right.

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Wrong side of pant facing using both knit and non-woven interfacing due to poor planning. I think it will work…

I’m not sure where the fabric came from. It was probably a remnant or some kind of irresistible bargain. That would certainly explain why, after pre-washing, I found dozens of flaws. I had five yards to work with (also a good sign it was an irresistible bargain), so there was still plenty even when I avoided the snags and pulls.

Before jumping in, I thought through some style possibilities. While I love the high-waist look, I know that there are some situations where the style would make me feel out of place. Because they fit so well (that is, comfy!), I can see using them as the base for casual looks with fitted pullover tops. But what really appealed to me was the idea of wearing it with a matching vest. Something about a feminine version of menswear basics always seems to look so chic. Making a vest is something I have never done, so it would also be an interesting challenge.

But first the pants. I am once again making view E from Butterick 5859. Because I took the extra time with the first pair, these went together quickly. That’s not to say that I didn’t manage to sew not just one, but two seams on the wrong side. That happened. But the seam ripper and a good night’s sleep took care of the problem.

I have to say, it felt really great to put on my new pants and have them fit on the very first try!

In the meantime, I also cut out the pieces for the vest (Out of Print Simplicity 4079 View A). I found that I had a lot of lining left over when I was done, so I decided to make it into bias tape. I thought it would be nice to bind the waistband facing with it. The lining fabric from Mood is a polyester satin, which is heavy enough for a jacket or coat lining. I really love the way the bound facing turned out, but I am not sure if I would try to make bias tape with the same kind of fabric again. The material did not want to take a crease, so it was really slow going. Still, I have at least 2 1/2 yards left, so I don’t think I’ll need to make any more.

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Right side of facing
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Inside pants (zipper is in back)
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Lots of binding left over

And here are the finished pants:

Next in this series, follow along as I tackle my first vest!

Vintage · Whimsy

I Can Do It! Quickie Halloween Costume

double_rosie
Inspiration images

Ladies, are you pressed for time and want a quick no-sew or low-sew costume? How about Rosie the Riveter? It’s quick to do and easy to wear!

You’ll need:

  • Blue work shirt – must have collar. buttons, and sleeves
  • Dark work pants or overalls
  • Lace-up shoes, work boots, or loafers
  • 1 yard red fabric with white dots or similar bandanna
  • A little bit of makeup and a “We can do it!” attitude

Optional items:

  • Button for collar
  • Classic lunchbox
  • Power tool or mock-up

Here’s how my costume shaped up.

I started gathering things about a month before Halloween. I had shoes and makeup already. I got the clothes from secondhand shops. I bought the fabric for the bandana online, and I found the lunchbox on etsy.

Depending on what you can find to work with, you may need to spend more or less time pulling things together.

rosie_costume3
Re-hemming the pants was the only sewing needed.

Step 1: Pants or overalls

I started out with a dark denim jumpsuit, which I chose only for the dark color and loose fitting legs. I needed to take off about 2 inches of length to make them work for me, so I did a quickie hem on my machine. If they hadn’t have had a flared shape, I would have just rolled them into cuffs.

The headwrap came next. I folded the fabric up from one corner to make the largest equilateral triangle I could. I cut across the hypotenuse to make an extra-large bandana. After some experimentation, I found that folding it in half worked the best.

How to tie:

  1. I have short hair, so I didn’t have to do anything special first. But if your hair is long, think about pinning it as flat to your head as you can, or tucking it into a wig cap.
  2. With the fabric folded into a right triangle, position it so the right angle is on your forehead, kind of pointing to your nose. The long edge should be centered at the nape of the neck.
  3. Wrap the long edge forward on both sides so all three points meet in front. Tie snugly. Tuck in any loose material. To look like the poster, adjust it a little so part of your hairline shows.

rosie_costume2I did my makeup next. It was pretty easy – the classic Rosie images show a woman with dark arched eyebrows, pink cheeks and lipstick. There are so many tutorials out there to demonstrate how to apply makeup in a 1940’s style, I won’t go into detail here. My only tip would be to go for a long-wearing lipstick – then you can eat all of the candy you like without messing up your look!

Since I was wearing a jumpsuit, I just knotted the shirt at the waist. I would have tucked it in if I had been able to find pants. Don’t forget to roll up the sleeves.

I put my 21st century technology into my lunchbox and put on my shoes. Done!

This is such a great costume to wear. You can move around, eat and drink – even put a coat on over it if you must.

simplicity-vintage-1940s-overalls-pattern-8447-envelope-front
Simplicity’s take on the idea

After I did my costume, I found that Simplicity carries a pattern for Rosie, Simplicity 8447. I think I missed it on my initial search because it is in the Vintage category, not Costumes.  Has anyone out there tried it? Their version goes the overalls route, but is pictured with the same lunchbox!

What do you think? You can do it!

Fashion · Vintage

Vintage-Inspired Pants Part 2

For my vintage style pants, I chose a medium weight twill in a poly blend that drapes easily. I wanted something that had a little bit of movement and fluidity this time. I think in the warmer seasons it would also look great in a crisp cotton or linen.

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Pattern for facing and pattern for matching interfacing

After cutting the fabric, the first step is to stabilize the facing pieces. Sometimes it is tricky to know what to use. You don’t want the waist to have too much stiffness. It would be well supported, but it would not be comfortable to wear. You also don’t want too little. That would run the risk of having pants fabric bunch up at the waist when you sit. I chose a medium weight fusible tricot interfacing. It has flexibility vertically, but is stable horizontally. Placed so the stable horizontal axis goes across the waist, this option supports the waistband shape without stiffness.

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Tricot interfacing after fusing

Since I was planning to use this pattern more than once (stay tuned!), I went through the extra step of making pattern pieces for the interfacing. Typically, pattern instructions have you cut interfacing with the same pieces you use for facings. There is nothing wrong with doing it this way, but it can be improved on. I trace the facing pieces onto extra pattern paper, then draw a new line where the seam line would be (in this case, 5/8 inch from the edges). Using these smaller interfacing pattern pieces, you will waste less interfacing material and you will not add unwanted bulk to your seams.

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Fraying situation critical

I assembled the pants mostly on the serger using a 3 thread overlock. The fabric I was using had a tendency to fray, so I made sure all of the raw edges were enclosed in some way.

I spent a little extra time on the facing, binding the lower edge. I’ve seen this done in better ready-to-wear and just liked the look.

I did the hem with my regular machine using the blind hem function.

The versatile black pants look great dressed up or down.

Something about this outfit makes me want to learn to tap dance. I think that’s a good thing.

See Vintage-Inspired Pants Part 1

More construction details

 

Finished Pants

Fashion · Vintage

Vintage-Inspired Pants Part 1

B5859 Company Photo
Inspiration photo

This year, I’m facing the change of seasons head-on. While we are still able to dip our toes in the ocean, I’m pulling together plans for fall looks. First up will be a vintage inspired high-waisted trouser.

I am making view E from Butterick 5859 – one of their Lifestyle Wardrobe patterns. The high waist is right on trend. This year, wide legs are coming back as well. Finally, trends are starting to converge with my taste!

The pattern is not that old, but unfortunately is already out of print. For those of you looking to sew your own version, you might want to try Decades of Style’s 1940’s Empire Waist Trousers, or Wearing History’s Smooth Sailing Trousers.

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Line drawings from B5859 Envelope

Although the pants are described as semi-fitted, they still warrant editing to follow the wearer’s curves. The pattern has front, back, and side seams as well as darts in the front and rear; so there are 8 places to make alterations. Knowing that I would probably need to make some changes, I decided to make a quick muslin first.

One of the nice things about making a muslin is that you only have to work with the essential parts of the pattern. There is no need to bother with facings or interfacings, pockets, zippers, etc. So, I only needed to cut the front and back pattern pieces.

Last month, Craftsy.com had an all-you-can-watch for free day. I took advantage of it and watched all of the lessons in Linda Lee’s Serger & Coverstitch: Fashion Details class. My favorite take-away: use your machine’s chain stitch for temporary seams. When you are ready to take the seam out, you don’t need a seam ripper.  You just start pulling one end! I tried this with my muslin and it worked like a charm. It’s way easier than using a seam ripper and leaves no little thread “crumbs.”

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Chain stitch used to baste muslin together. French curve used to smooth revised seam line (teal marker).

I’ve actually picked up a lot of tips from Craftsy classes. Sandra Betzina’s Pant Fitting Techniques class got me in the habit of cutting side seams with a 1 inch seam allowance (at least the first time you are trying a pattern). That way, you have lots of room to make changes, if necessary.

I chose a pattern size based on my largest measurement (hip). I marked the new 1-inch side seams on the onion skin, then cut out my muslin pieces. Then, I chain-stitched my pants together and checked the fit.

Fitting Round One: Torso Too Loose

I put the pants on inside-out to make pinning simple. Being careful to do both sides evenly, I pinched and pinned slight changes in the side seams of the waist and above-waist area. There was still a little gap in the small of the back, so I pinned that as well. After taking the pants off, I used the pins to draw new seam lines for the sides and center back. Just to make it more visible, I changed the color of the chainstitch thread. Then I stitched the new seam lines.

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After the second fitting: green thread on changed seamlines; horizontal decrease pinned.

Fitting Round Two: Torso Good, Crotch too Low

Using a ruler, a mirror, and a little bit of guesswork, I saw that I needed to raise the crotch curve by about an inch. I started with the upper “shorten or lengthen here” line on the paper pattern pieces. I found the corresponding points on my muslin, then used them to draw a horizontal line (perpendicular to the grainline). I made two more lines, 1/2 inch above and 1/2 inch below. I pinned the top and bottom lines together to make a 1 inch reduction. I was thrilled that they looked perfect when I put them back on. Just to make sure I didn’t over-fit, I twisted, sat down, and walked around. Still good… I was done after only two rounds – that’s a record for me!

Transferring the modifications to the paper pattern was pretty easy. While I was working on it, I also removed the extra seam allowance from the sides. The last change was to modify the pattern pieces for the facings to match the new waistline.

Next time, putting it all together!

Fashion · Useful Thing · Vintage

Vintage Vogue Apron V8643

Here’s the basic information:

Vogue 8643 – Aprons

I made View A in size M (12-14), but shortened to the view B length.  View A is the yellow one in the envelope illustration.

This was a little difficult to make, but the instructions were clear and I am really proud of the results.  I am definitely keeping the pattern and will pull it out again whenever the mood to make an apron strikes again.

If I make it again, I would consider using the serger on the vertical seams.

The fabric is a cotton quilting print from Jo-Ann.  The pockets are lined in white with pieces of an old sheet that had also seen duty as a dropcloth.  Yay, recycling!

And…  here is the finished product: